Exakta collecting is growing all over the world.

1936 - 1996
A Diamond Jubilee Celebration
Anniversary leaflet published by the Exakta Circle

Kine Exakta
The story of the Kine Exakta begins in 1932 when the design engineer Karl Nuchterlein at the Ihagee Kamerawerk, Steenbergeen & Co. Dresden was in the process of developing the standard Exakta of 4 x 6,5 cm format. That year was remarkable for the introduction of the Zeiss Contax, and of Agfa's new 35mm cartridge: It was also the year in which, one might say the Leica came of age on the introduction of the model II with a coupled rangefinder. It is not surprising, therefore, that Nuchterlein should have begun to plan a 35mm single lens reflex in that year, and when the standard Exakta was into production in 1933, to have commenced the development of the Kine Exakta. Preliminary designs were in fact on paper in June 1932.

The first 35mm SLR
Collectors have frequently debated whether or not this distinction should go to the Russian "Cnopm" or Sport. The last year or two has given opportunity for close enquiries to be made in Dresden and in Leningrad and Moscow. In particular information provided by the Polytechnical Museum, Moscow states that a prototype 35mm SLR was made in 1934 and this was improved and developed into the camera that became the Sport. "In 1937 it was perfected and brought into a state for production. The standard production began at the end of 1937, beginning of 1938".


Something Unique
What then was so special about this camera? The photographic world at that time was used to large reflex plate cameras in which the image could be scrutinised at the full size of the negative, and even the standard Exakta, though very much smaller than other reflexes, had this characteristic. Many were sceptical about the practical possibility of a reflex for such a small negative as 24 x 36 mm. To meet this the Kine Exakta focussing screen was of condenser form which not only added brilliance but also provided an image magnified two diameters, which was further increased by the magnifier: The screen was the subject of a patent dated 13 november 1934. The original round magnifier was quickly recognized as giving too limited a view and was replaced by the rectangular magnifier in December 1936.

A remarkable shutter
From the first the camera had the amazing 20 speed shutter, from 12 seconds to 1/1000, with delayed action on 14 of the speeds. It had lever wind which was simple logic put on the user's left, believing that the importance of the focussing function demanded the use of the right hand. This winding advanced the film, wound the shuttere, set the mirror, moved the exposure counter, and prevented unintentional double exposures. The hood provided, in addition to the magnifier, a direct vision viewfinder for eye-level use, and when closed locked the shutter release.

Other new features
The camera also introduced the concept of a shutter release button placed on the front of the body, operating parallel to the optical axis. There was a built in knife to cut the film, for quick development of short lengths: It was the first 35mm camera to have built in synchronization, and an accessory flash gun to take the Vacublitz bulb was marketed. Nuchterlein actually patented a system of TTL metering on 28 July 1939 but owing to his untimely death in the war it did not come into production. In 1958 Ihagee introduced a pentaprism with a built-in selenium meter and also an accessory TTL meter (which slightly extended the lens) for laboratory use.

Fundamental to the whole design was the determination to build a camera characterised by precision and versatility, which is why it became so extensively used for medical and scientific purposes, and it must be a tribute to the designer that it continued with only minor change until 1949. In this period it was undoubtedly the most influential design in camera manufacture. It then gave birth to improvements that made it even more versatile.

The body was of die-cast light alloy weighing only about 30 ozs with the lens. It had a
bayonet mount, and initially there was a choice of 5 standard lenses of 50 or 58mm focal lenght, and 5 long focus lenses.  

The Kine Exakta was exhibited at the Leipzig Spring Fair in March 1936 and was in production from April 1936.

The Kine Exakta was selling in London in 1937 with f2,8 Tessar for 38.10.0, and with f2.0 Biotar for 55.00.

The Kine Exakta II came in 1949. The Varex, with the great advantage of interchangeable viewfinders in 1950; the Varex VX in 1951; Varex IIa in 1957; Varex IIb 1963; VX 1000 with instant return mirror in 1967; VX 500 in 1969; and the RTL 1000 in 1970. In the USA the Varex was labelled V and the Varex VX as VX because Argus Inc. had copyright of the name Varex


Gary's Kine collection. Cat on the right not included

The pre-production Kine Exakta
The Worlds Earliest Surviving 35mm SLR??
Gary Cullen, 20 Jan 1999

The pre-production Kine Exakta earned its name because of it's many different parts and earliest known serial number of 455681. All other know round magnifier Kine Exaktas have numbers starting with 48xxxx It's probably more accurate to describe this camera as being from an early small production run assembled with many pre-production parts rather than an actual pre-production prototype. The only other Kines seen with the low 4556xx numbers are shown in the first Kine brochures and in the first Kine instruction book. There is one other Kine that has survived from this batch but unfortunately it had been used for parts when it was found and was missing its serial number plate, fast speed selector and round magnifier plate. This leads one to believe there could be a later Kine out there somewhere that has been "restored" using the parts from this other early Kine. If this is so, a later round magnifier Kine may surface at some time with a 4556xx number but without all the differences of these very early cameras.

The frame counter starts with 0, not 1 like the later cameras. There is no arrow on the top of the speed selector and the height of the base of the speed selector is taller.

The slow speed selector is like the Vest Pocket Exaktas, without a groove milled in the center. At first I thought it had been replaced with a VP knob but when I removed it and checked it against several knobs in my VP collection I found they were different.

You can easily see the mirror is shorter and straight cut across at the bottom, without the classic early Exakta tapered front.

The film roller guide is in a slightly different position and the arms holding the roller are longer.


There is one less step in the machined steps of the back door release button
Two of the tripod mount screws are further forward on the early camera. This is interesting because these two screws actually interfere with the internal mechanism and do not have nuts holding them on the inside like later cameras. There is only one internal nut on the single back screw. I can't believe Ihagee would have shipped cameras like this because there is virtually no strength with 2 of the 3 mount screws screwed into only 1.5 mm of aluminum. This camera mounted on a tripod bearing a heavy lens would have torn the tripod mount from the camera!

Although this lens did not come with this camera (the whereabouts of it's original lens is unknown) it is the earliest known lens in existence for a Kine Exakta and it seems fit that it resides on this camera! It is a nickel and black paint 50 2.8 Tessar #1890899.
Other differences not shown in the photos are:
  • Several chromed parts are bright and not brushed matte.
  • Film cutting knife knob has finer knurling.
  • Rewind fork is made from thinner material and is attached differently to the rewind knob.
  • Film sprocket guide is attached to the film guide plate directly, not the body casting like later cameras. If you have a Kine instruction book you'll see that the guide is not there at all, so it appears it was added later to this camera. The guide itself is a little different in it's shape than later cameras as well.
  • Upon internal inspection there appears to be a lot of grinding to the body casting in order for the internal shutter/mirror box unit to fit

  • The Kine Exakta Hologram

    In celebration of the 60th anniversary of the Kine Exakta

    These bright 3d holografic images are made
    with an argon ion laser on hand-coated swiss glass

    a great collector's item

    Kine Exakta - Pre-production Kine Exaktas (Part 2) - Homepage